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in the places of Gauguin and Émile Bernard
Perfetto esemplare nella seconda edizione stampato per la galleria il Quadro di Biella ed edito da Silvio Zamorani
distancing himself from the rigor of pure geometry
They were and still are used as a tool for meditation and teaching within monasteries and the homes of the faithful
TOULOUSE LAUTREC HENRI DE, L’imprimante, 1897 sculture in the places of GauguinPerfect impression, printed on Rives paper for Art Graphic International. Excellent condition with intact margins. Dry stamp of the Lautrec Museum in Albi. Posthumous edition. Bibliography Wittrock Henri de Toulouse Lautrec (Albi 1864 Malrom 1901) was the most irreverent visual chronicler of late 19th century Paris, inextricably linking his name to the nightlife of Montmartre. Raised in an aristocratic family, he settled in the quintessential bohemian
