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Il movimento si identifica nella forza propulsiva dell’onda
incisa nel 1965 presso la Stamperia Romero
Representing almost exclusively female universes
and industrial details intertwine with each other
ALBERS JOSEF, Homage to the Square n.4, Protected blue, 1977 sculture Il movimento si identifica nellaPerfect impression, published by Verlag Aurel Bongers KG, Recklinghausen, Germany, 1977. Screen prints by Trautwein KG, Recklinghausen, limited edition of 1500 copies. The publication and the screen prints were approved by the artist before his death. Perfect preservation, with untrimmed margins.
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